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Beck - Midnite Vultures (1999) Retail CD
Alternative Pop/ Rock
By calling the muted psychedelic folk-rock, blues, and Tropicalia of Mutations a stopgap, Beck set expectations for Midnight Vultures unreasonably high. Ironically, Midnite Vultures doesn't feel like a sequel to Odelay — it's a genre exercise, like Mutations. This time, Beck delves into soul, funk, and hip-hop, touching on everything from Stax/Volt to No Limit but using Prince as his home base. He's eschewed samples, more or less, but not the aesthetic. Even when a song is reminiscent of a particular style, it's assembled in strange, exciting ways. As it kicks off with "Sexx Laws," it'smore… hard not to get caught up in the rush, and "Nicotine & Gravy" carries on the vibe expertly, as does the party jam "Mixed Bizness" and the full-on electro workout "Get Real Paid," an intoxicating number that sounds like a Black Album reject. So far, so good — the songs are tight, catchy, and memorable, the production dense. Then comes "Hollywood Freaks." The self-conscious gangsta goof is singularly irritating, not least because of Beck's affected voice. It's the first on Midnite Vultures to feel like a parody, and it's such an awkward, misguided shift in tone that it colors the rest of the album. Tributes now sound like send-ups, allusions that once seemed affectionate feel snide, and the whole thing comes off as a little jive. Musically, Midnite Vultures is filled with wonderful little quirks, but these are undercut by the sneaking suspicion that for all the ingenuity, it's just a hipster joke. Humor has always been a big part of Beck's music, but it was gloriously absurd, never elitist. Here, it's delivered with a smug smirk, undercutting whatever joy the music generates.
|2||Nicotine & Gravy|
|4||Get Real Paid|
|6||Peaches & Cream|
|8||Milk & Honey|
- Beck - Midnite Vultures (1999) Retail CD
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- 04/09/14 by bob123
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